Showing posts with label under. Show all posts
Showing posts with label under. Show all posts

Under the hood of Croatian Filipino Ukrainian and Vietnamese in Google Voice Search



Although we’ve been working on speech recognition for several years, every new language requires our engineers and scientists to tackle unique challenges. Our most recent additions - Croatian, Filipino, Ukrainian, and Vietnamese - required creative solutions to reflect how each language is used across devices and in everyday conversations.

For example, since Vietnamese is a tonal language, we had to explore how to take tones into consideration. One simple technique is to model the tone and vowel combinations (tonemes) directly in our lexicons. This, however, has the side effect of a larger phonetic inventory. As a result we had to come up with special algorithms to handle the increased complexity. Additionally, Vietnamese is a heavily diacritized language, with tone markers on a majority of syllables. Since Google Search is very good at returning valid results even when diacritics are omitted, our Vietnamese users frequently omit the diacritics when typing their queries. This creates difficulties for the speech recognizer, which selects its vocabulary from typed queries. For this purpose, we created a special diacritic restoration algorithm which enables us to present properly formatted text to our users in the majority of cases.

Filipino also presented interesting challenges. Much like in other multilingual societies such as Hong Kong, India, South Africa, etc., Filipinos often mix several languages in their daily life. This is called code switching. Code switching complicates the design of pronunciation, language, and acoustic models. Speech scientists are effectively faced with a dilemma: should we build one system per language, or should we combine all languages into one?

In such situations we prefer to model the reality of daily language use in our speech recognizer design. If users mix several languages, our recognizers should do their best in modeling this behavior. Hence our Filipino voice search system, while mainly focused on the Filipino language, also allows users to mix in English terms.

The algorithms we’re using to model how speech sounds are spoken in each language make use of our distributed large-scale neural network learning infrastructure (yes, the same one that spontaneously discovered cats on YouTube!). By partitioning the gigantic parameter set of the model, and by evaluating each partition on a separate computation server, we’re able to achieve unprecedented levels of parallelism in training acoustic models.

The more people use Google speech recognition products, the more accurate the technology becomes. These new neural network technologies will help us bring you lots of improvements and many more languages in the future.
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Fibonacci Sculptures That Animate Under A Strobe Light

My colleague Bob Doran brought this beautiful video to my attention. 3D Fibonacci sculptures that animate under a strobe light. Isnt maths wonderful!

Blooms: Strobe-Animated Sculptures from Pier 9 on Vimeo.

from The Universal Machine http://universal-machine.blogspot.com/

IFTTT

Put the internet to work for you.

Delete or edit this Recipe

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Movie Review Sous Les Bombes Under The Bombs Arabic 2007



Sous Les Bombes (Under The Bombs) 2007, Arabic, is not about terrorism. Neither is it about religion, or extremism.

It is a story about a mother and a son separated by unfortunate bombings of a conflicted region in Lebanon.

It starts with Zeina rushing to Lebanon where she finds fear, apprehension, military, international media, destruction, distraught families. And then she finds Tony: a brave Christian cab driver. Both start on a dangerous journey to the disputed region, with their own motives (alert: Tonys motives do not see light until the very end).

What followed was beyond my predictions, and was subtle yet gripping. I forgot that I was watching a movie and not a well crafted documentary (I still believe some of the characters were actual victims of the war... I cannot fathom stage actors bringing the creepy calm that you see on their faces in some of the frames).

Tony, who starts with a greed to squeeze most of Zeinas money owing to her desperation, unravels his true self just when she needs it the most (I will keep the details for you to enjoy).

The frames are stitched together with eerie monologues, empathetic dialogues, poor yet helping hands, a failing state, and a dry yet gorgeous scenery of rural Lebanon.

In the end, sacrificing in their own ways, they do get within hands reach of Karim, Zeinas lost son.



But are they able to get to him? And what happens to their life thereafter? Does Zeina leave her uninterested business-man husband for a stranger she just met, because he provided more for her in 3 days than her partner of 20 years?

Watch it now to know more. I guarantee a wash out of all your strong prejudices against the Arabic people. You will find that common people nowhere want to bear wars, and the losses that fall out. You will realize that underneath that stereotyped Middle-Eastern face of Tony lies a young and soft heart who enjoys music, food, dreams and a struggle to get to them.

I rate it 4.7/5.0.
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